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20th - 23rd November 2013

Inherit the Wind by Jerome Lawrence and Robert E. Lee is a dramatisation of the infamous “Skopes Monkey Trial” which occurred in Dayton, Tennessee in 1925. The names, places and certain events have been changed.It’s a scorching summer. Biology teacher Bertram Cates sits in Hillsboro prison accused of teaching evolution in his classes, an act forbidden by state law for contradicting the seven-day creation. He awaits trial, fearing the worst. He does not, however, feel he has done wrong. In standing up for his beliefs he risks losing his freedom and more, losing those he loves.

 

Things go from bad to worse for Cates when he hears that Vice-president Matthew Harrison Brady is weighing in for the prosecution, to defend the values of small-town America and fight against ungodly Darwinism. The U.S media picks up the story and runs with it, creating a sensation across the country and turning sleepy Hillsboro into a media circus. With the whole town against him, Cates’ only hope lies in his defence- the ruthless Chicago lawyer, and bitter agnostic, Henry Drummond.

 

The drama that follows is the biggest courtroom clash of the century, two giants fighting; one to defend the values of his country, the other to defend humanity’s right to think.It is not simply a drama about science versus religion debate. It is a drama about Man’s right to question the words of those in power and doubt authority.

 

Inherit the Wind by Jerome Lawrence and Robert Edwin Lee

Cast and Crew:



CAST

Bertram Cates - Nathan Spencer

Henry Drummond - Richard Agar

Matthew Harrison Brady - Dominic Corfield

Rachel Brown - Lisa Maguire

E.K Hornbeck - Bethan Ratcliffe

Judge - Callum Tipton*

Jeremiah Brown - Daniel Turner

Davenport - Adam Marx

Mayor - Andris Joslin

Meeker - Sam Allan*

Howard Blair - Connor Jones*

Melinda - Polly Sculpher*

Mrs Brady - Lydia Chantler-Hicks*

Sillers - Perry Hughes*

Mrs Krebs - Erin O'Neill*

Mrs Blair - Vicky Webb*

Mrs McClain - Kitty Broome*

 

*Actors who will be multi-roling. Parts will be confirmed after the readthrough.

 

 

PRODUCTION TEAM

Director- Alex Monks

Stage Manager – Liz Johnson

Producer - Lewis Colson

 


CREW

Tehcnical Officer - Rachel Wassell


 

Directors Note

 

It’s fair to say that Liz and I weren’t in the best of states the first time the title Inherit the Wind got banded around. Or the second time… Or the third. But something strange happened. Unlike when two drunken mates decide that they need to buy a bar together, every time we spoke in the sober light of day, it got more and more real somehow. We were realising quite how special this show could be.

Inherit the Wind is a play that every thinking person should see. It is a play that spans religion, biology, politics, sociology, philosophy, law, history, literature- I could go on. It is a play that emphasises to us that we should think and question, but that this right is not a given. And maybe sometimes it shouldn’t be.

I decided to move the play into the modern era to emphasise that we, as a species, are still living in the aftershocks and chemical waste of the Scopes’ Monkey Trial. As Lawrence and Lee wrote themselves, with haunting foresight, “The stage directions set the time as ‘Not too long ago’. It might have been yesterday. It could be tomorrow.” Fundamentalist groups are still putting stickers in biology textbooks, lobbying to get ‘Intelligent Design’ into school curriculums and plain and simply opposing children having the right to make up their own minds on Darwinism. But the play is not, and I do not want it to be, about religion.

Whether you are a fundamentalist religionist or an atheistic scientist, it doesn’t matter. I can’t emphasise that enough. This play has never been about conflicts between these groups. Nor is the play simply about opposing censorship. This is just the backdrop for a much bigger debate. This is a play about ideas. Freedom of ideas or protection of society- which is more important?

I don’t know. That’s for you, the audience, to think about.

I would like to do some quick thanks, because, let’s be honest- I couldn’t do this on my own. The cast and the crew of this play are what have made this possible. Obvious talent aside, your enthusiasm has been incredible and has made directing an absolute dream. I haven’t even had to dabble with alcoholism, so my liver thanks you too.

Liz, Lewis. Just, thank you. There aren’t words to describe how appreciative I am of your dedication. There are just noises that I’m not sure how to type…

And thank you to you, reading this. I hope you enjoy the show! Just remember, this is a play about ideas.

I’d tell you to draw your own conclusions.

But I want you to think for yourself.

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